Janusz Korczak



Janusz Korczak, the pen name of Henryk Goldszmit (July 22, 1878 or 1879 – August, 1942) was a Polish-Jewish children's author, pediatrician, and child pedagogist, known as Stary Doktor (Old Doctor).

Biography
Korczak was born in Warsaw in an assimilated Jewish family. His mother Cecylia Głębicki was the daughter of prominent Kalisz Jews and his father Józef Goldszmit was from a family of proponents of the haskalah. Korczak's father died in 1896, possibly by his own hand, leaving the family without a source of income. Over the next few years, the family was forced to abandon their spacious apartment and, during his teens, Korczak was the sole breadwinner for his mother, sister, and grandmother.

In 1898 he used Janusz Korczak as a writing pseudonym in Ignacy Paderewski's literary contest. The name originated from the book Janasz Korczak and the pretty Swordsweeperlady by Józef Ignacy Kraszewski. In 1890s he studied in the Flying University. In years 1898–1904 Korczak studied medicine in Warsaw and also wrote for several Polish language newspapers.

After his graduation he became a pediatrician. During the Russo-Japanese War in 1905–1906 he served as a military doctor. Meanwhile his book Child of the Drawing Room gained him some literary recognition. After the war he continued his practice in Warsaw.



In 1907–1908 Korczak continued his studies in Berlin. When he was working for the Orphan's Society in 1909 he met Stefania Wilczyńska. In 1911–1912 he became a director of Dom Sierot, the orphanage of his own design for Jewish children in Warsaw. He took Wilczyńska as his closest associate. There he formed a kind-of-a-republic for children with its own small parliament, court and newspaper. He reduced his other duties as a doctor.

In 1914 Korczak again became a military doctor with the rank of lieutenant during World War I. During the Polish-Soviet War he served again as a military doctor with the rank of major but was assigned to Warsaw after a brief stint in Łódź. He contracted typhus and his mother died of it.

In 1926 he let the children begin their own newspaper, the Mały Przegląd, as a weekly attachment to the daily Polish-Jewish Newspaper Nasz Przegląd.

During the 1930s he had his own radio program until it was cancelled due to complaints from anti-semites. In 1933 he was awarded the Silver Cross of the Polonia Restituta. In 1934–1936 Korczak traveled yearly to Palestine and visited its kibbutzim. That led to increasing anti-semitic attacks in the Polish press. It additionally spurred his estrangement with the non-Jewish orphanage he had been working for. Still, he refused to move to Palestine even when Wilczyńska moved there for a year in 1938.

World War II
In 1939, when World War II erupted, Korczak volunteered for duty in the Polish Army but was refused due to his age. He witnessed the Wehrmacht taking over Warsaw. When the Germans created the Warsaw Ghetto in 1940, his orphanage was forced to move to the ghetto. Korczak moved in with them.

On August 5 (some say August 6), 1942, German soldiers came to collect the 192 (there is some debate about the actual number and it may have been 196) orphans and about one dozen staff members to take them to Treblinka extermination camp. Korczak had been offered sanctuary on the “Aryan side” of Warsaw but turned it down repeatedly, saying that he could not abandon his children. Now too, he refused offers of sanctuary, insisting that he would go with the children. The children were dressed in their best clothes, and each carried a blue knapsack and a favorite book or toy. Joshua Perle, an eyewitness, described the procession of Korczak and the children through the ghetto to the Umschlagplatz (deportation point to the death camps):


 * ... A miracle occurred. Two hundred children did not cry out. Two hundred pure souls, condemned to death, did not weep. Not one of them ran away. None tried to hide. Like stricken swallows they clung to their teacher and mentor, to their father and brother, Janusz Korczak, so that he might protect and preserve them. Janusz Korczak was marching, his head bent forward, holding the hand of a child, without a hat, a leather belt around his waist, and wearing high boots. A few nurses were followed by two hundred children, dressed in clean and meticulously cared for clothes, as they were being carried to the altar. (...) On all sides the children were surrounded by Germans, Ukrainians, and this time also Jewish policemen. They whipped and fired shots at them. The very stones of the street wept at the sight of the procession.

According to a popular legend, when the group of orphans finally reached the Umschlagplatz, an SS officer recognized Korczak as the author of one of his favorite children's books and offered to help him escape, but once again, Korczak refused. He boarded the trains with the children and was never heard from again.

Korczak's evacuation from the Ghetto is also mentioned in Władysław Szpilman's book The Pianist:

"One day, around 5th August when I had take a brief rest from work and was walking down Gesia Street, I happened to see Janusz Korczak and his orphans leaving the ghetto. The evacuation of the Jewish orphanage run by Janusz Korczak had been ordered for that morning. The children were to have been taken away alone. He had the chance to save himself, and it was only with difficulty that he persuaded the Germans to take him too. He had spent long years of his life with children and now, on this last journey he could not leave them alone. He wanted to ease things for them. He told the orphans they were going out in to the country, so they ought to be cheerful. At last they would be able exchange the horrible suffocating city walls for meadows of flowers, streams where they could bathe, woods full of berries and mushrooms. He told them to wear their best clothes, and so they came out into the yard, two by two nicely dressed and in a happy mood. The little column was lead by an SS man who loved children, as Germans do, even those he was about to see on their way into the next world. He took a special liking to a boy of twelve, a violinist who had his instrument under his arm. The SS man told him to go to the head of the precession of children and play – and so they set off. When I met them in Gesia Street the smiling children were singing in chorus, the little violinist was playing for them and Korczak was carrying two of the smallest infants, who were beaming too, and telling them some amusing story. I am sure that even in the gas chamber, as the Zyklon B gas was stifling childish throats and striking terror instead of hope into the orphans hearts, the Old Doctor must have whispered with one last effort, ‘it’s all right, children, it will be all right’. So that at least he could spare his little charges the fear of passing from life to death." The Pianist - Page 96



Some time after, there were rumors that the trains had been diverted and that Korczak and the children had survived. There was, however, no basis to these stories. Most likely, Korczak was killed with most of his children in a gas chamber upon their arrival at Treblinka. There is a memorial grave for him at the Powązki Cemetery in Warsaw.

Pedagogical influence
Korczak was one of the first pedagogists who changed the general attitude of a teacher (or a parent) towards a student (or a child). His general idea was that any child has his own way, his own path, right after the birth. The role of a parent (a teacher) is not to impose some other goal, but to help the child to succeed in his (the child's) goals. His book How to love a child begins with the following sentence:

You are saying: "Children are annoying" 

''You clarify: "You need to always kneel to their perceptions". ''

You are wrong.

''Because you actually need to tip-toe to their perceptions and ideals. ''

In this book he shares a lot of his experience dealing with difficult children. Ideas of Korczak were further developed by many other pedagogists, for example Simon Soloveychik.

Themes in the children's books
Korczak often employed the form of the fairy tale in order to actually prepare his young readers for the dilemmas and difficulties of real adult life, and the need to take responsible decisions.

In the 1923 King Matt the First (Król Maciuś Pierwszy) and its sequel King Matt on the Desert Island (Król Maciuś na wyspie bezludnej) Korczak depicted a child prince catapulted to the throne by the sudden death of his father, who must learn from various mistakes.

He tries to read and answer all his mail by himself and finds that the volume is too much and he needs to rely on secretaries; he is exasperated with his ministers and has them arrested, but soon realises that he does not know enough to govern by himself, and is forced to release the ministers and institute constitutional monarchy; when a war breaks out he does not accept being shut up in his palace, but slips away and joins up, pretending to be a peasant boy - and narrowly avoids becoming a POW; he takes the offer of a friendly journalist to publish for him a "royal paper" -and finds much later that he gets carefully-edited news and that the journalist is covering up the gross corruption of the young king's best friend; he tries to organise the children of all the world to hold processions and demand their rights - and ends up antagonising other kings; he falls in love with a black African princess and outrages racist opinion (by modern standards, however, Korczak's depiction of blacks is itself not completely free of stereotypes which were current at the time of writing); finally, he is overthrown by the invasion of three foreign armies and exiled to a desert island, where he must come to terms with reality - and finally does.

The later "Kajtuś The Wizard" (Kajtuś czarodziej) (1935) anticipated Harry Potter in depicting a schoolboy who gains magic powers (and its popularity in the 1930s, in both Polish and translation to several other languages, was nearly comparable to the present one of the Potter series). Kajtuś has, however, a far more difficult path than Harry Potter: he has no Hogwarts-type School of Magic where he could be taught by expert mages, but must learn to use and control his powers all by himself - and most importantly, to learn his limitations. (See Cover page of the Hebrew translation of "Kajtuś".)

Fiction

 * Children of the streets (Dzieci ulicy, Warsaw, 1901)
 * Koszałki Opałki (Warsaw, 1905)
 * Child of the Drawing Room (Dziecko salonu, Warsaw, 1906, 2nd edition 1927) – partially autobiographical
 * Mośki, Joski i Srule (Warsaw, 1910)
 * Józki, Jaśki i Franki (Warsaw, 1911)
 * Fame (Sława, Warsaw, 1913, corrected 1935 and 1937)
 * Bobo (Warsaw, 1914)
 * King Matt the First (Król Maciuś Pierwszy, Warsaw, 1923)
 * King Matt on a Deserted Island (Król Maciuś na wyspie bezludnej, Warsaw 1923)
 * Bankruptcy of Little Jack (Bankructwo małego Dżeka, Warsaw, 1924)
 * When I Am Little Again (Kiedy znów będę mały, Warsaw, 1925)
 * Senat szaleńców, humoreska ponura (a screenplay for the Ateneum theatre in Warsaw, 1931)
 * Kajtus the Wizard (Kajtuś czarodziej, Warsaw, 1935)

Pedagogic books

 * Momenty wychowawcze (Warsaw, 1919, 2nd edition 1924)
 * How to Love a Child (Jak kochać dziecko, Warsaw 1919, 2nd edition 1920 as Jak kochać dzieci)
 * The Child's Right to Respect (Prawo dziecka do szacunku, Warsaw, 1929)
 * Pedagogika żartobliwa (Warsaw, 1933)

Other books

 * Diary (Pamiętnik, Warsaw, 1958)

In popular culture
He is the subject of Andrzej Wajda's movie Korczak, stage play Korczak's Children, by Jeffrey Hatcher, and the opera Korczak's Orphans by Adam Silverman (music) and Susan Gubernat (libretto).