Sarah Kofman

Sarah Kofman (September 14, 1934 – October 15, 1994) was a French philosopher.

Kofman was the author of numerous books, particularly on Friedrich Nietzsche and Sigmund Freud. Her book, L'énigme de la femme: La femme dans les textes de Freud (1980), is perhaps the most thorough consideration of Freud's ideas concerning female sexuality.

Career
Born in Paris, Kofman began her teaching career in Toulouse in 1960, and worked under both Jean Hyppolite and Gilles Deleuze. Her primary thesis, later published as Nietzsche et la métaphore, was supervised by Deleuze. In 1969 Kofman met Jacques Derrida and began attending his seminars at the Ecole Normale Supérieure. Kofman did not receive tenure until 1991, when she was appointed to a chair at the Sorbonne.

Autobiographical works
Kofman also wrote several works in an autobiographical vein. Paroles suffoquées (1987) is dedicated to the memory of her father, Berek Kofman, whom she saw for the last time on July 16, 1942, and who was killed at Auschwitz.

Rue Ordener, rue Labat (1994) also opens with the removal of her father by the Vichy police, and describes what Kofman understands to have been his fate. The title refers to two Parisian streets: the address at which her family lived until her father's arrest; and the address at which she was sheltered for much of the remainder of the war. Kofman was taken in by a Parisian divorcée who became her surrogate mother and whom she called Mémé. The book tells the story of this period, and of the custody dispute between Mémé and Kofman's mother following the liberation of Paris.

Suicide
Kofman committed suicide. The fact that she did so on the date of Nietzsche's birthday has been seen by some writers as significant. After her death, Jacques Derrida wrote the following:

Books

 * L'enfance de l'art: Une interprétation de l'esthétique freudienne (1970). Trans.: The Childhood of Art: An Interpretation of Freud's Aesthetics (1988).
 * Nietzsche et la métaphore (1972). Trans.: Nietzsche and Metaphor (1993).
 * Camera obscura: De l'idéologie (1973). Trans.: Camera Obscura: Of Ideology (1998).
 * Quatre romans analytiques (1974). Trans.: Freud and Fiction (1991).
 * Autobiogriffures (1976).
 * Aberrations: Le devenir-femme d'Auguste Comte (1978).
 * Nerval: Le charme de la répétition (1979).
 * Nietzsche et la scène philosophique (1979).
 * L'énigme de la femme: La femme dans les textes de Freud (1980). Trans.: The Enigma of Woman: Woman in Freud's Writings (1985).
 * Le respect des femmes (Kant et Rousseau) (1982).
 * Comment s'en sortir? (1983).
 * Un métier impossible: Lecture de "Constructions en analyse" (1983).
 * Lectures de Derrida (1984).
 * Mélancholie de l'art (1985).
 * Pourquoi rit-on? Freud et le mot d'esprit (1986).
 * Paroles suffoquées (1987). Trans.: Smothered Words (1998).
 * Conversions: Le Marchand de Venise sous le signe de Saturne (1987).
 * Socrate(s) (1989). Trans.: Socrates: Fictions of a Philosopher (1998).
 * Séductions: De Sartre à Héraclite (1990).
 * Don Juan ou le refus de la dette (1991).
 * "Il n'y a que le premier pas qui coûte": Freud et la spéculation (1991).
 * Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 * Explosion II: Les enfants de Nietzsche (1993).
 * Le mépris des Juifs: Nietzsche, les Juifs, l'antisémitisme (1994).
 * Rue Ordener, rue Labat (1994). Trans.: Rue Ordener, Rue Labat (1996).
 * L'imposture de la beauté et autres textes (1995).

Articles
Note: this list does not include portions of books where a translation of the entire book was subsequently published.
 * "No Longer Full-Fledged Autobiogriffies," SubStance 29 (1981): 3–22. From: Autobiogriffures (1976).
 * "Sartre: Fort! Ou Da?", Diacritics 14, 4 (1984): 9–18.
 * "Damned Food," SubStance 49 (1986): 8–9.
 * "Tomb for a Proper Name," SubStance 49 (1986): 9–10.
 * "Nightmare: At the Margins of Medieval Studies," SubStance 49 (1986): 10–13. From: Comment s'en sortir? (1983).
 * "Prometheus, the First Philosopher," SubStance 50 (1986): 26–35. From: Comment s'en sortir? (1983).
 * "Nietzsche and the Obscurity of Heraclitus," Diacritics 17, 3 (1987): 39–55. From: Séductions: De Sartre à Héraclite (1990).
 * "Baubô: Theological Perversion and Fetishism," in Michael Allen Gillespie & Tracy B. Strong, Nietzsche's New Seas: Explorations in Philosophy, Aesthetics, and Politics (Chicago & London: University of Chicago Press, 1988). From: Nietzsche et la scène philosophique (1979).
 * "Beyond Aporia?", in Andrew Benjamin (ed.), Post-structuralist Classics (London & New York: Routledge, 1988). From: Comment s'en sortir? (1983).
 * "'Ça cloche'," in Hugh J. Silverman (ed.), Derrida and Deconstruction (New York & London: Routledge, 1989). From: Lectures de Derrida (1984). Originally delivered at the 1980 Cerisy colloquy, "Les finds de l'homme."
 * "Conversions: The Merchant of Venice under the Sign of Saturn," in Peter Collier & Helga Geyer-Ryan (eds.), Literary Theory Today (Cambridge: Polity Press, 1990). From: Conversions: Le Marchand de Venise sous le signe de Saturne (1987).
 * "Metaphoric Architectures," in Laurence A. Rickels (ed.), Looking After Nietzsche (Albany: State University of New York Press, 1990).
 * "Descartes Entrapped," in Eduardo Cadava, Peter Connor, & Jean-Luc Nancy, Who Comes After the Subject? ((New York & London: Routledge, 1991). From: Nietzsche et la scène philosophique (1979).
 * "Rousseau's Phallocratic Ends," in Nancy Fraser & Sandra Lee Bartky (eds.), Revaluing French Feminism: Critical Essays on Difference, Agency, and Culture (Bloomington & Indianapolis: Indiana University Press, 1992).
 * "Explosion I: Of Nietzsche's Ecce Homo," Diacritics 24, 4 (1994): 50–70. From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 * "A Fantastical Genealogy: Nietzsche's Family Romance," in Peter J. Burgard (ed.), Nietzsche and the Feminine (Charlottesville & London: University Press of Virginia, 1994). From: Explosion I: De l'"Ecce Homo" de Nietzsche (1992).
 * "'It's Only the First Step That Costs'," in Sonu Shamdasani & Michael Münchow (eds.), Speculations After Freud: Psychoanalysis, Philosophy, Culture (London & New York: Routledge, 1994). From: "Il n'y a que le premier pas qui coûte": Freud et la spéculation (1991).
 * "Wagner's Ascetic Ideal According to Nietzsche," in Richard Schacht (ed.), Nietzsche, Genealogy, Morality: Essays on Nietzsche's Genealogy of Morals (Berkeley: University of California Press, 1994).
 * "The Psychologist of the Eternal Feminine (Why I Write Such Good Books, 5)," Yale French Studies 87 (1995): 173–89. From: Explosion II: Les enfants de Nietzsche (1993).
 * "Accessories (Ecce Homo, 'Why I Write Such Good Books,' 'The Untimelies,' 3)," in Peter R. Sedgwick (ed.), Nietzsche: A Critical Reader (Oxford: Blackwell, 1995). From: Explosion II: Les enfants de Nietzsche (1993).
 * "The Economy of Respect: Kant and Respect for Women," in Robin May Schott (ed.), Feminist Interpretations of Immanuel Kant (University Park, Penn.: Pennsylvania State University Press, 1997). From: Le respect des femmes (Kant et Rousseau) (1982).
 * "The Imposture of Beauty: The Uncanniness of Oscar Wilde's Picture of Dorian Gray," in Penelope Deutscher & Kelly Oliver (eds.), Enigmas: Essays on Sarah Kofman (Ithaca & London: Cornell University Press, 1999). From: L'imposture de la beauté et autres textes (1995).

Interviews

 * "Sarah Kofman," interview with Alice Jardine, in Alice Jardine & Anne M. Menke (eds.), Shifting Scenes: Interviews on Women, Writing, and Politics in Post-68 France (New York & Oxford: Columbia University Press, 1991).
 * "Writing without Power: A Conversation with Sarah Kofman," interview with Ursula Konnertz, Women's Philosophy Review (June 1995): 5–8.

Secondary literature

 * Penelope Deutscher & Kelly Oliver (eds.), Enigmas: Essays on Sarah Kofman (Ithaca & London: Cornell University Press, 1999). Includes a foreword by Jean-Luc Nancy and an extensive bibliography of Kofman's writing.